Wake Up, Woods: A book review

With illustrations by Gillian Harris, text by Michael Homoya, verses by Shane Gibson

Rubber Ducky Press, Indianapolis, 2019

Reviewed by Katherine Newkirk

Like the forest understory this book explores, Wake Up Woods is richly layered. Though loosely aimed at early elementary kids, the book will entice all ages along its several paths. Each stunningly illustrated two-page spread features understory bloomers along with associated visitors, a four-line verse and a paragraph of botanical information.

Many a preschooler will keep turning pages in search of critters such as the field mouse, six-spotted tiger beetle and marbled orbweaver. Illustrator Gillian Harris brings out the energy and “personalities” of both flora and fauna in exquisite biological detail. More than 50 illustrated species are listed with their common names and Latin binomials in an appendix.

Young readers will enjoy sounding out the rhymes by poet Shane Gibson, while their adults may smile at his humor. Christmas fern, for example: A fiddlehead / No strings attached / Unfurled beauty / Spring’s here at last. I found an occasional rhythm or rhyme challenging and also wondered what will happen when young readers bump into words like sepal, whorl and proboscis. Luckily, a glossary explains 26 specialized terms.

Nature lovers of all ages will enjoy the illustrations, and I predict many will learn new things about relationships among understory species, thanks to botanical text by Mike Homoya. For example, “After bloodroot goes to seed, elaiosomes (food bodies) that are attached to the seeds attract ants, which carry the seeds to their nests underground. Some ants carry them as far as forty feet away from the plant!”

Wake Up, Woods is dedicated to “all children who find delight in the awakening woods,” but I suggest that Wake Up, Woods will delight and inspire nature lovers of all ages. I hope it finds its way into laps and libraries everywhere.

Katherine Newkirk is co-editor of the Indiana Native Plant Society Journal.